Post Critique #3
So this past Thursday, my writing group, The Underground Writers, did our third big critique session. It was our first session with a new member (Julia Muldoon) in the group so we were all pretty eager to see how things would turn out, what kind of information would get exchanged, and what her piece would look like.
On the whole, things turned out really well. The pieces were generally newer (or older pieces that had been edited with some of the more recent advice from other pieces), so it was all around an easy critique. I had submitted my short story, Blood & Puppies, for critiquing this round. Generally the reviews were along the same line. Near the end I have a PoV shift that needs some work, there's a bit of blocking trouble for that last portion, and there's a small bit at the beginning that really doesn't make much sense. From what feedback I got, I have to quote Randy Lalonde on the all-around progress: "Your dialogue has also gotten stronger and has outgrown your descriptive prose." Not a bad bit of review, and it shows me exactly where I need to work with my next handful of pieces. Basically, keep tightening the dialogue, and work more on tightening the description.
I wasn't sure about the working title going in, and I'm still not sure about it coming out. The reviews on the title have been mixed. They're about half-and-half. Those that like the title, or even squirm at the title, claim that it's a very re-tweetable title, and that people may just stop and look at / buy the piece because of it. The others aren't overly fond of the title, because it doesn't work too closely with the actual story. I hope to come up with a better title, but if nothing pops up before I finish the rewrite, it'll probably stick.
On other writing news, editing on Hedged In has been progressing a little slower than I thought. I figure I should still have it done by my deadline, but whether I'll be as happy with it at that point as I want to be, that's another question. I may end up having to bow out of one of our monthly critiques just to get it to the point that I want it at. That would mean putting other projects on hold, and I'm not up for that right now.
I began a new project a couple of weeks ago and I'm almost through writing the first chapter of it. I had received word about a scholarship that teetered on writing a young adult novel. The cash involved is pretty nice for someone looking to get through another year of school. So I spent an evening reading over the back covers of dozens of books in the YA section of Chapters, and I even bought and read one (Graceling by Kristin Cashore). I spent another evening coming up with a few YA-style treatments, and then I began writing a first chapter of one of my ideas. I don't even have a working title for the piece yet, but when I do, I'm sure you'll all be able to read it here.
Anyhow, I have some more writing that I need to get done today. I promised myself a good two solid hours of writing, and I aim to do it.
On the whole, things turned out really well. The pieces were generally newer (or older pieces that had been edited with some of the more recent advice from other pieces), so it was all around an easy critique. I had submitted my short story, Blood & Puppies, for critiquing this round. Generally the reviews were along the same line. Near the end I have a PoV shift that needs some work, there's a bit of blocking trouble for that last portion, and there's a small bit at the beginning that really doesn't make much sense. From what feedback I got, I have to quote Randy Lalonde on the all-around progress: "Your dialogue has also gotten stronger and has outgrown your descriptive prose." Not a bad bit of review, and it shows me exactly where I need to work with my next handful of pieces. Basically, keep tightening the dialogue, and work more on tightening the description.
I wasn't sure about the working title going in, and I'm still not sure about it coming out. The reviews on the title have been mixed. They're about half-and-half. Those that like the title, or even squirm at the title, claim that it's a very re-tweetable title, and that people may just stop and look at / buy the piece because of it. The others aren't overly fond of the title, because it doesn't work too closely with the actual story. I hope to come up with a better title, but if nothing pops up before I finish the rewrite, it'll probably stick.
On other writing news, editing on Hedged In has been progressing a little slower than I thought. I figure I should still have it done by my deadline, but whether I'll be as happy with it at that point as I want to be, that's another question. I may end up having to bow out of one of our monthly critiques just to get it to the point that I want it at. That would mean putting other projects on hold, and I'm not up for that right now.
I began a new project a couple of weeks ago and I'm almost through writing the first chapter of it. I had received word about a scholarship that teetered on writing a young adult novel. The cash involved is pretty nice for someone looking to get through another year of school. So I spent an evening reading over the back covers of dozens of books in the YA section of Chapters, and I even bought and read one (Graceling by Kristin Cashore). I spent another evening coming up with a few YA-style treatments, and then I began writing a first chapter of one of my ideas. I don't even have a working title for the piece yet, but when I do, I'm sure you'll all be able to read it here.
Anyhow, I have some more writing that I need to get done today. I promised myself a good two solid hours of writing, and I aim to do it.
Labels: critiquing, Hedged In, underground writers, YA Novel
1 Comments:
Hey Shawn! Steph here!
Like I said, depsite its flaws it's a stronger story. And if it makes you feel better, I like the title "Hegded In!" :)
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